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I picture this timing likely developed throughout the Palladium age but I haven't validated that. Eddie Torres started instructing and popularizing this timing start in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dance teacher, that assisted him develop his strategy and timing.

The tale I'm constantly told below, that still calls for additional investigation, is that as salsa started reaching brand-new audiences outside of the Caribbean and New York City, it was simpler and more instinctive to instruct cultural outsiders to dance On1 in contrast to On2. This tale doesn't account for the reality that I've listened to Rueda de Gambling enterprise was originally danced a tiempo On3 in Cuba.

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Salsa On1 is simply among numerous salsa timings you can dance to and it is one of the most usual timing you'll locate worldwide today. Salsa On1 timing interpretation: "On1" suggests you begin dancing on the initial beat of bench of songs the 1. Your break actions (direction modifications) are on beats 1 and 5.

The exceptions I've located until now, where On2 is most usual, would certainly be around New york city and in South Korea (Salsa Dance San Francisco). I'm sure there are other locations that dance generally On2 however I haven't danced in every country! If you're not exactly sure what timing is most usual where you live, ask your regional dance workshop

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When somebody says "I dance salsa On1" they most likely imply "I dance straight style salsa On1" (although you can dance any kind of style of salsa On1, individuals normally mean straight style). Do not worry if you have actually said these things in the past, it's all great most of us have! The essential point is to keep in mind there's a difference in between design and timing and grow your understanding so you can be a lot more accurate when speaking about salsa with your close friends.

It attaches nicely with the phrasing in the songs, especially the piano, and various other percussion instruments like the cow bell and giro. Timing and style are two various points, so separate the concepts when you chat concerning salsa with your buddies. No matter of what timing is most usual in your area of the world, remember you can technically dance any style of salsa to any type of timing discover and appreciate!

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Although there is an initial mambo dancing that came from Cuba and then spread to Mexico and New York in the 40s and 50s, nowadays when a person states "I dance mambo" they imply salsa On2, which is different than the original mambo dancing. The erratic free-from steps of the initial mambo were danced solo.



As the dancing began to spread, On1 timing began to end up being popular. Salsa On2 interpretation: "On2" suggests you start dancing on the first beat of the bar of songs the 2.

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Historically those are the instruments that a child cubano professional dancer connected with and that was handed down to mambo and salsa. A great deal of professional dancers delight in dancing On2 for the diverse methods you can attach to the songs. This is the initial son cubano and mambo timing. Son cubano is the music and dance that preceded mambo and salsa.

It connects well to the clave, bass and conga - Salsa Dance San Francisco. Cha-cha is simply like dance On2 contratiempo but you include the three-way action on 4 and 8. Although danced to the same beats as On1, your break steps are now on 2 and 6, which transforms the feeling of the dancing.

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This timing is virtually identical to contratiempo On2 however the actions that are typically on 4 and 8 are on 4. It's almost like a timing in between a tiempo and contratiempo.

5 as opposed to 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home placement (on 4. 5 instead of 4) you're dancing syncopated timing. In truth it seems it's typically danced as sort of a "blunder" for any individual dancing the previous two timings.

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As stated previously, this was the first interpretation of dance on clave (child clave), where the Puerto Ricans would certainly align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as lots of actions of your standard as feasible with the strikes of the boy clave.

The important things about music and dance is that there is no right or wrong. There is just interpretation. You can dance on any timing you such as! Naturally, people have located a method to dance on almost every timing possible to son and salsa music. People dance On3 for the same factor you dance On1 since it highlights the strong beats of 1-3-5-7.

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Allow's look at the beats you dance On1 to: -2-, -6- (strong beats are in strong) Allow's consider the beats you dance On3 to: -4-, -8- (strong beats are in strong) Notice exactly how the solid beats are spaced specifically the same for On1 and On3? All you do is start tipping On3 rather than On1.

That's why dance On3 is so common in Latin America. People either Try to dance On1 however begin tipping On3 by mishap and it functions out simply penalty, or They do not recognize much about timing and are just interpreting what they hear in the music, based on their experience maturing in a culture with salsa.

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